Essays
Fiona Duncan
THE JOKE IS ON YOU – HUMOUR & CONTEMPORARY ART CRITICISM
Olivia Pipe
THIS IS AN EGG AND SO IS THIS
Micaela Hardy-Moffat
FEMINISM AND THE ART OF “CRAFTIVISM”: KNITTING FOR SOCIAL CHANGE UNDER THE PRINCIPLES OF THE ARTS AND CRAFTS MOVEMENT
Andrea Burnham
RELIGIOUS SATIRE IN 18TH CENTURY SPAIN: FRANCISCO GOYA’S LOS CAPRICHOS
Marion Pynn
ERNEST THOMPSON SETON: WILDERNESS DEBTS
Bridget Moser
WORKING FROM HOME: ACTS OF DOMESTICATION IN DIANE BORSATO’S THREE PERFORMANCES
Thea Jones
INVISIBLE BOUNDARIES MISSING ARCHITECTURE AND DISPLACED COMMUNITIES: FINDING GROUND TO REMEMBER PARADISE VALLEY IN DETROIT, MICHIGAN
Stephanie Hayot
JEAN JOSEPH CONSTANT AND THE PORTRAYAL OF THE OTHER THROUGH THE MANIPULATIVE ORIENTALIST GAZE
Sarah Wilkinson
DAPHNE ODJIG’S NANABUSH SERIES: RECLAIMING CULTURE THROUGH CHILDREN’S LITERATURE
Jill Kestenberg
BOUNDED BY OUR BODIES: A THEORETICAL ESSAY ON FEMALE IDENTITY AND GENDER DECONSTRUCTION
Sarah Bergman
SALVAGING MEMORIES: RECYCLING IN CANADIAN TEXTILE AND FIBRE ART, THEN AND NOW
Lisa Pietersma
DECEPTIVE SIMPLICITY: A STUDY OF MARIOTTO ALBERTINELLI’S HOLY FAMILY WITH THE ADORATION OF THE CHILD
Eve Tagny
EGON SCHIELE VS. INEZ VAN LAMSWEERDE
Reviews
Carla Sifoni
INVITATION TO THE MMFA
Tess Edmonson
ART DOESN’T MATTER
Rocio Valencia
LES IRREGULARITÉS
Kendall Row
INDIVIDUAL MYSTERY OF THE URBAN LANDSCAPE
Ashley Math
CHRISTIAN MARCLAY AT THE DHC/ART FOUNDATION |
