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Gerda Osteneck
- born in 1954 in Vulcan, Alberta
- parents emigrated from Latvia in 1953
- B.F.A. in progress, Film and Video, University of Regina,
Regina, Saskatchewan, (1990- ); Communications and History, Simon Fraser University,
Burnaby, British Columbia (1974-75)
click on thumbnails at left to view larger images
Born to Baltic German parents, photo-collage artist Gerda
Osteneck has devoted most of her artistic production to the examination of a family
history that is partially lost since the death of her parents in 1991. Osteneck received a
large part of her photography education working as a technician in photography labs,
learning from the sheer volume of photographs to which she was exposed. Taking a leave in
1994, she travelled to eastern Europe with the help of a grant from the Saskatchewan Arts
Board, in search of her family's past. Stemming from this experience are numerous collage
works that combine family photos and European postcards in Osteneck's own version of a
family album that was to some extent denied her by a mother who felt that her daughter's
curiosity about the past was "indecent." "Despite the precision of her
decorative layout, Osteneck's collages remain invitingly elusive, straying form family
history into the construction of identity and the imprecise, messy changeability of
memory. Her choice is strategic, as she has pointed out: "As there are an infinite
number of possible perspectives from which to photograph a place or thing, there are as
many ways of perceiving history, the story of an event" (Helen Marzolf, 1995).
Learning to make her own paper in order to provide a more dynamic surface for her collage,
Osteneck moved on to creating sculptural work that incorporates her collage images as
surface. Pondering her mother's own history as a nurse during the Nazi occupation of
Poland, Osteneck has also become concerned with the stories of women, in particular
immigrant women, their daughters, and the pasts that they simultaneously deny and carry
with them. She has also touched on the Holocaust in her work, Auschwitz, Poland (1994),
a collage using photographs that she took of the former concentration camp on her 1994
trip.
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SOLO EXHIBITIONS
1995 |
Photo-Collage
Photographers Gallery, Saskatoon, Saskatchewan |
1993 |
Snip Shots
Saskatchewan Cultural Society Club Gallery, Regina, Saskatchewan |
1985 |
Layers of Light
S.C.E.S. Club, Regina, Saskatchewan |
1982 |
Hues Gallery, Prince Rupert,
British Columbia Skeena: A River Remembered
Richmond Art Gallery, Richmond, British Columbia
Skeena Dream
Highliner Hotel, Prince Rupert, British Columbia
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GROUP EXHIBITIONS
1997 |
Becoming Bootless
Neil Balkwell Centre, Regina, Saskatchewan |
1997-93 |
Small Works Show
Photographers Gallery, Saskatoon, Saskatchewan |
1996 |
C.D. Fundraiser
Neutral Ground Gallery, Regina, SaskatchewanEthni-City
Postcard Show
Neutral Ground Gallery, Regina, Saskatchewan
Rosemont Show and Sale - 25th Anniversary Show
Rosemont Art Gallery, Regina, Saskatchewan
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1995 |
In Focus
Rosemont Art Gallery, Regina, Saskatchewan |
1993 |
Bookworks
AKA Artists Centre, Saskatoon, Saskatchewan |
1992 |
Student Show
Neil Balkwell Centre, University of Regina, Regina, Saskatchewan |
1986 |
International Exhibition of
Miniature Art
Del Bello Art Gallery, Toronto, OntarioSummer
Group Show
Rosemont Art Gallery, Regina, Saskatchewan
9th Annual Show and Sale
Rosemont Art Gallery, Regina, Saskatchewan
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1985 |
Erotic Art Show (x2)
S.C.E.S. Club, Regina, SaskatchewanRosemont
Art Gallery, Regina, Saskatchewan
National Exhibition Centre, Hazelton, British Columbia
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1984 |
Erotic Art Show
S.C.E.S. Club, Regina, Saskatchewan |
1981 |
Museum of Northern British
Columbia, Prince Rupert, British Columbia |
BIBLIOGRAPHY
Marzolf, Helen. "A critical
difference." Blackflash 13, no. 2 (Summer 1995): 16-17. Oberlander, Wendy. The Exchange 10, no. 9 (November
1993): cover.
---. Skeena: A River Remembered. Vancouver,
British Columbia: Raincoast Books, 1982. |
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