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Anna Torma
- born in 1952 in Tarnaörs, Hungary
- immigrated to Toronto, Ontario in 1988
- studied at Hungarian Academy of Applied Arts in Budapest,
(Department of Textiles) Budapest, Hungary (1974-1979)
click on thumbnails at left to view larger images
Anna Torma was introduced to textile art by both her
mother and grandmother who taught her hand sewing and embroidery. Her study of textiles at
the Hungarian Academy of Applied Arts in Budapest from 1974 to 1979 coincided with the
growing popularity of fibre production by artists from abroad. Since textile practice was
not considered a fine art, it afforded Hungarian artists greater creative freedom because
they were not as closely monitored by the Hungarian government as artists who were
producing in other media. Tormas textile structures incorporate numerous techniques
such as embroidery, patchwork, appliqué, quilting, and felting. First she assembles a
patchwork base often composed of discarded fabric, such as old clothing, and proceeds to
produce textile drawings in embroidery upon this ground. "My goal is to create
innovative textile based work which blanches craft with concept into femininity,
domesticity, and ethnicity," Torma wrote in 1996. Tormas embroidered designs
are often based upon her childrens drawings and hand writing. "This borrowing
of images and compilation permits Torma to infuse her spiritual, personal, and mundane
experiences with those of others" (Theresa Morin, 1996). In Quotations (1994)
Tormas embroidered images and texts include excerpts from her childrens
notebooks, charting her childrens learning process. Lullaby I (1996) consists
of pieces of cheesecloth stitched together and embellished with floral motifs found in
Hungarian textiles. A participant in numerous international textile art conferences, in
1994 Torma took part in the European Textile Network Conference in Budapest. She has
taught art at the Burlington Art Centre and given lectures at the Harbourfront Centre and
Sheridan College in Toronto, Ontario.
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SOLO EXHIBITIONS
1998 |
White Water Gallery, North Bay,
Ontario Homer Watson House and Gallery, Kitchener,
Ontario
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1997 |
Prime Gallery, Toronto, Ontario Gallery Duna, Budapest, Hungary
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1996 |
Notes and Visions: The
Embroideries of Anna Torma
John Michael Kohler Art Center, Sheboygan, WisconsinSzombathelyi Keptar, Szombathely, Hungary
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1995 |
Burlington Arts Centre,
Burlington, Ontario |
1994 |
Hammer Gallery, Hamilton,
Ontario |
1990 |
The Spectator Gallery,
Hamilton, Ontario |
GROUP EXHIBITIONS
1998 |
15th Minitextile Biennale
Szombathely, HungarySOFA, New York, New York
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1997 |
SOFA, Chicago, Illinois Public Hanging, Hamilton, Ontario
Swedish Textile Museum, Boras, Sweden
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1996 |
Art Gallery of Hamilton,
Hamilton, Ontario Material Bliss
Justina M. Barnicke Gallery, Toronto, Ontario
The Bedcover
York Quay Gallery, Harbourfront Centre, Toronto, Ontario
Fancy
Museum for Textiles, Toronto, Ontario
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1995 |
Bodies in Trouble
Hamilton Artist Inc., Hamilton, OntarioOntario
Crafts 95: A Biennial Juried Exhibition of Works by Members of the Ontario Crafts Council
The Craft Gallery, Ontario Crafts Council, Toronto, Ontario
Defining the Site
Art Gallery of Hamilton, Hamilton, Ontario
Sampler Art
Mobilia Gallery, Cambridge, Massachussetts
American Museum of Quilts and Textiles, San Jose,
California
11th Fibreart International
Graz, Austria
Modern Embroidery
Musée de la Maison du Lin, Routot, France
The Voirrey Embroidery Centre, England
Augustiner Museum, Freiburg, Germany
Textilmuseum Berk, Heidelberg, Germany
Fibreart International
Pittsburgh, Pennsylvania
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1994 |
Chautauga International for
Fibre Arts, Dunkirk, New York |
1993 |
Fibreart International
Pittsburgh, PennsylvaniaSkin and Bones
John B. Aird Gallery, Toronto, Ontario
Ontario Crafts
Chalmers Building, Toronto, Ontario
2nd International Triennial
Tournai, Belgium
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1992 |
13th Textile Biennial
Szombathely, Hungary |
1990 |
12th Textile Biennial
Szombathely, Hungary |
1988 |
11th Textile Biennial
Szombathely, HungaryGallery Stappman, Munich,
Germany
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1987 |
Textilesek
Gallery Duna, Budapest, HungaryPalazzo
Falconeri, Rome, Italy
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1986 |
Laufer, Mucsarnok, Budapest,
Hungary Textures, Exhibition of Minitextiles
Luxembourg
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1985 |
Ferencvarosi Pincetarlat,
Budapest, Hungary |
1984 |
Peterzsebeti Muzeum, Budapest,
Hungary 9th Textile Biennial
Szombathely, Hungary
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1982 |
8th Textile Biennial
Szombathely, Hungary |
1980 |
7th Textile Biennial
Szombathely, Hungary |
1974 |
4th Textile Biennial
Szombathely, Hungary |
COLLECTIONS
Contemporary Textilmuseum, Szombathely,
Hungary |
BIBLIOGRAPHY
"Anna Torma: textile drawings." Craftnews
20, no. 2 (April/May 1995): 1 Barrett, Dale,
et al. Ontario Crafts 95: A Biennial Juried Exhibition of Works by Members of the
Ontario Crafts Council. Toronto, Ontario: Ontario Crafts Council, 1995.
Inglis, Grace. "Designer Crafts '89: A show and sale
of contemporary crafts." Ontario Craft (Summer 1989): 31.
Morin, Theresa. "Anna Torma: Intimate textile
drawings." Fibrearts 22 (January/February 1996): 29.
---. Notes and Visions: The Embroideries of Anna
Torma. Sheboygan, Wisconsin: John Michael Kohler Arts Center, 1997.
Orban, Nancy. Fibreart Design Book Four. Asheville,
North Carolina: Lark Books, 1991.
Torma, Anna. "Artist's Statement." In Cement:
Cultural Equity Mentoring Program. Hamilton, Ontario: Hamilton Artists Inc., 1996.
Vadas, J. "The beauty of the vaste." Life
and Literature (1987): n.p.
Willard, John. "Torma, Anna. Textile drawings.
Burlington Arts Centre." Ontario Craft 20, no. 2 (Summer 1995): 24.
Wylie, Robert. "Skin and Bones. The John B. Aird
Gallery, Toronto." Ontario Craft 19, no. 1 (Spring 1994): 23.
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