Theses and disssertations by Art History alumni:
*Hard copies may be found at Concordia Libraries and in the Department of Art History's project room (EV.3.736). Digital copies are available through Proquest.
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000 previous
Jessa Alston-O'Connor
Consuming Culture: Negotiating Asian Canadian Identities Through Food Culture and Art
Supervisor: Alice Jim
Convocation: Fall 2011
Gwen Baddeley
Street Art Photography: Mapping the Interstices of Urban Experience
Supervisor: Johanne Sloan
Convocation: Fall 2011
Caroline Beaudoin
Magog's SAINTE-MERGUERITE-MARIE CHURCH and the Architectural Dynamics Between Two of Quebec's Founding Institutions During the Twentieth Century: The Roman Catholic Church and the Corporate Industrial Manufactory
Supervisor: Jean Bélisle
Convocation: Fall 2011
Nicole Burisch
The Dematerialization of the Craft Object: Performance Art and Contemporary Craft
Supervisor: Elaine Paterson
Convocation: Fall 2011
Rob Coles
For the Record: Memory and the Second World War Paintings of Carl Schaefer, RCAF
Supervisor: Martha Langford
Convocation: Fall 2011
Valérie Coté
Entre art et artisanat: le processus de légitimation artistique des acteurs du monde de l'art au Québec dans les années 1950-1970. Walter Schluep : une étude de cas
Supervisor: Elaine Paterson
Convocation: Spring 2011
Wasontiio Cross
Louis Karoniaktajeh Hall and the Art of Resistance
Supervisor: Johanne Sloan
Convocation: Fall 2011
Stephanie D'Amico
Reviewing Realism: Eric Fischl, Will Cotton and the Legacy of American Photorealism
Supervisor: Johanne Sloan
Convocation: Fall 2011
Pohanna Feinberg
Making the invisible visible: Documenting the Creative Process A case study of the archive from the Skol-CEDA co-creative collaboration
Supervisor: Loren Lerner
Convocation: Spring 2011
Laurie Filgiano
Squeezing In and Zipping Up: Canada's Involvement in the Late 20th and 21st Century Trend of Fashion Exhibitions
Supervisor: Elaine Paterson
Convocation: Fall 2011
Lisa Fortin
Stones and Flowers: An Ecofeminist Analysis of the Works of Marlene Creates and Thérèse Chabot
Supervisor: Loren Lerner
Convocation: Fall 2011
Christina Marie Froschauer
Talking Back to the West: Contemporary First Nations Artists and Strategies of Counter-appropriation
Supervisor: Johanne Sloan
Convocation: Fall 2011
Emily Kirkman
Fashioning Identity: The Hostesses of Expo 67
Supervisor: Cynthia Hammond
Convocation: Fall 2011
Sandra Jensen
Posting places in dis*us*ing spaces
Supervisor: Jean Belisle
Convocation: Spring 2011
Natalia Lebedinskaia
Doubled Sense of Resistance: The Makortoff Family Collection of Photographs of Doukhobor Daily Life 1920-1950
Supervisor: Martha Langford
Convocation: Fall 2011
Viola McGowan
No One Has a Monopoly Over Sorrow: Representing Trauma and the Everyday in Contemporary Art
Supervisor: Johanne Sloan
Convocation: Fall 2011
Johnny Nawracaj
Feminist Archiving and New Historiographies of Art: A Comparative Study of Bildwechsel Women+ Video Archive Network and the Canadian Women Artists History Initiative
Supervisor: Cynthia Hammond
Convocation: Fall 2011
Claudia Oliviera
Fathoming the Unfathomable: Gertrude Kearns and the Visual Representation of the Genocide in Rwanda
Supervisor: Catherine Mackenzie
Convocation: Fall 2011
Geneviève Pelletier
Intérieurs montréalais, immigration et identité: la domesticité en transition
Supervisor: Elaine Paterson
Convocation: Spring 2011
Olivia Pipe
On Dresses and Diadems: Female Discourse and the Politicized Body in Jana Sterbak's Thread Drawings and Artworks
Supervisor: Loren Lerner
Convocation: Fall 2011
Pablo Rodriguez
Phantasms of Interpretation: Raphaëlle de Groot's Portraits de clients
Supervisor: Martha Langford
Convocation: Fall 2011
Robin Simpson
What We Got Away With: Rochdale College and Canadian Art in the Sixties
Supervisor: Johanne Sloan
Convocation: Fall 2011
Maya Soren
Reclaiming Le 9e: Public Heritage at the Eaton's Ninth Floor Restaurant, Montréal
Supervisor: Cynthia Hammond
Convocation: Fall 2011
Adam (Joseph) Van Sertima
Wafaa Bilal's Domestric Tension: A Politic of Performance in Gamic Space
Supervisor: Jean Belisle
Convocation: Spring 2011
Sarah Wilkinson
The Living Monument: A Consideration of the Politics of Indigenous Representation and Public Historical Monuments in Quebec
Supervisor: Alice Ming Wai Jim
Convocation: Spring 2011
Katrina Bormanis
The Monumental Landscape: Canadian, Newfoundland, and Australian Great War Capital and Battlefield Memorials and the Topography of National Remembrance
Supervisor: Brian Foss
Convocation: Spring 2011
Luke Nicholson
Anthony Blunt and Nicolas Poussin: A Queer Approach
Supervisor: Johanne Sloan
Convocation: Fall 2011
Bruno Andrus
Histoire de la practique artistique du verre souffle au Quebec (1960-1990)
Supervisor: Jean Belisle
Convocation: Fall 2010
Amber Berson
Image and Memory: Art About Missing and Murdered Aboriginal Women
Supervisor: Loren Lerner
Convocation: Spring 2010
Katharine Brayley
A Regional Agency: Maritime Art Association Programming from 1935 to 1945
Supervisor: Elaine Paterson
Convocation: Fall 2010
Wendy Lynn Butler
James Earl Fraser's The End of the Trail: Affect and the Persistence of an Iconic Indian Image
Supervisor: Kristina Huneault
Convocation: Fall 2010
Erica Howse
Postindians and Reservation X : individualism and community sovereignty in contemporary North American First Nations arts discourse
Supervisor:
Convocation: Spring 2010
Adam Lauder
Executive Fictions: Revisiting Information
Supervisor: Martha Langford
Convocation: Fall 2010
Danielle Lewis
Becoming Monuments and Embodying Utopias: The Processes of Inflatable Architecture in the Work of Michael Rakowitz and Ana Rewakowicz
Supervisor: Cynthia Hammond
Convocation: Fall 2010
Katrina Marie Lukaitis
Disassembling the Canvas: A visual analysis of marine ex voto images from eighteenth century Quebec and France
Supervisor: Jean Belisle
Convocation: Fall 2010
Stephen Lyons
Stan Douglas and the New-Old Film
Supervisor: Martha Langford
Convocation: Fall 2010
Alexandra Mills
A Fluid Play of Interchangeable Signs: Anna Jameson's Canadian Sketches, 1836-1837
Supervisor: Kristina Huneault
Convocation: Fall 2010
Anna-Maria Moubayed
Saint-Antoine-de-Padoue co-Cathedral: Christianity, Victorian Gothic Revival and Quebec's Colonial Hybrid Culture
Supervisor: Jean Belisle
Convocation: Spring 2010
Natasha Leah Pashak
Almost Outnumbered: The Role of Alberta in the Work and Life of Marion Nicoll
Supervisor:
Convocation: Spring 2010
Marie Peron
Culture Warriors: Education and Awareness at the Inaugural National Indigenous Art Triennial, organized by National Gallery of Australia, 2007-2009
Supervisor: Sherry Farrell-Racette
Convocation: Fall 2010
Claire Renwick
City Building and Architectural Renewal: A Historical Study of Five Buildings in Halifax, Nova Scotia
Supervisor: Jean Belisle
Convocation: Fall 2010
Maria Noel Secco
Neo-Mexicanism and NAFTA : exhibiting national identity
Supervisor: Johanne Sloan
Convocation: Spring 2010
Silvia Sorbelli
The Renaissance in Montreal: Early Collectors of the Montreal Museum of Fine Arts
Supervisor: Catherine MacKenzie
Convocation: Fall 2010
S. Alexandra Anber
Louise Bourgeois's Provisional Stitches: An Examination of Bourgeois's Production of Subjectivity, Materialized
Supervisor: Catherine Mackenzie
Convocation: Fall 2009
Katie Apsey
Embodied Sovereignty: Dialogues with Contemporary Aboriginal Dance
Supervisor: Sherry Farrell-Racette
Convocation: Fall 2009
Chantal Généreux
LEVER LE VOILE Étude d’un lot de bannières produites par les Soeurs Adoratrices du Précieux-Sang de Joliette
Supervisor: Jean Bélisle
Convocation: Spring 2009
Andria Hickey
In the Wake of Trauma: Representing the Unnameable in Contemporary Art
Supervisor: Martha Langford
Convocation: Spring 2009
Patricia Killoran-Quill
Literary Excavations: The Text-based Art of Brigitte Radecki
Supervisor: Martha Langford
Convocation: Spring 2009
Heather McDonald
Proximity and Distance: An Investigation on Interiority in Video Art
Supervisor: Brian Foss
Convocation: Fall 2009
Grace Powell
Challenging the Status Quo: Prudence Heward's Portrayals of Canadian Women from the 1920s to the 1940s
Supervisor: Brain Foss
Convocation: Spring 2009
Christopher Régimbal
Institutions of Culture and Urban Planning: The relationship
between art museums and culture-led urban planning initiatives in two
small Ontario cities
Supervisor: Martha Langford
Convocation: Spring 2009
Erin Silver
No "Gestures of Return"? Querying Queer Aesthetics in North American Art
Supervisor: Martha Langford
Convocation: Fall 2009
Jacqueline Sischy
The Ethics of Remembrance: The S-21 Photographs
Supervisor: Martha Langford
Convocation: Spring 2009
Dina Vescio
Surveillance and Spectacle in Webcam-based Artworks: Eyes of
Laura by Janet Cardiff and Homecammers - Women by Cheryl Sourkes
Supervisor: Alice Ming Wai Jim
Convocation: Fall 2009
Anja Bock
The Crossover of New Media Immersion and Site-Specificity: Contemporary Art and Spatial Experience
Supervisor: Johanne Sloan
Convocation: Spring 2009
Glenn L. Brook
Picturing an Experience of the Past: The Case of "Canada: A People's History"
Supervisor: Brian Foss
Convocation: Fall 2009
Denis Longchamps
Elizabeth Simcoe (1762-1850): une amateure et intellectuelle
anglaise dans les Canadas. Son œuvre écrite et dessinée et le projet
colonial.
Supervisor: Catherine Mackenzie
Convocation: Fall 2009
Anna Waclawek
From Graffiti to the Street Art Movement: Negotiating Art Worlds, Urban Spaces, and Visual Culture, c. 1970-2008
Supervisor: Johanne Sloan
Convocation: Spring 2009
Gentiane Bélanger
Points of Interest at the Center for Land Use Interpretation: A Tour in the Margins of Social Ecology
Supervisor: Johanne Sloan
Convocation: Fall 2008
Alena Buis
Ut pictura poesis: Edward Black Greenshields’ Collection of Hague School Paintings
Supervisor: Catherine MacKenzie
Convocation: Fall 2008
Zoë Chan
Wild Boys: Primitivism and Male Youth in Larry Clark’s Photography and Films
Supervisor: Johanne Sloan
Convocation: Fall 2008
Mark Clintberg
Commodified Generosity and Relational Abductions: The Multiples of Felix Gonzalez-Torres
Supervisor: Cynthia Hammond
Convocation: Fall 2008
Geraldine Davis
On Ewen’s Moons
Supervisor: Johanne Sloan
Convocation: Fall 2008
Eve De Garie-Lamanque
L’Esthetique de la trace anonyme. Étude comparative des cas de Betty Goodwin et de Christian Boltanski
Supervisor: Johanne Sloan
Convocation: Fall 2008
Paula Deblois
Mary Fanton Roberts: An Analysis of her Art Criticism in Two Periodicals Craftsman and Touchstone
Supervisor: Catherine MacKenzie
Convocation: Fall 2008
Mireille Eagan
The Pictured and the Posed: Nineteenth Century Touristic Images of the Lachine Rapids
Supervisor: Jean Bélisle
Convocation: Spring 2008
Heather Fyfe
Mira Godard: Canada's Art Dealer
Supervisor: Sandra Paikowsky
Convocation: Spring 2008
Kathryn Marley
The End of Art Criticism? Art Writing in the Age of the Internet
Supervisor: Sandra Paikowsky
Convocation: Spring 2008
Shane McCord
Pushing Books: The Bookwork as Democratic Multiple in the Late Capitalist Era
Supervisor: Martha Langford
Convocation: Spring 2008
Tatiana Mellema
Big Dirty Secrets: The Works of Paul McCarthy and Mike Kelley
Supervisor: Johanne Sloan
Convocation: Fall 2008
Michael Rattray
Mapping the Post-Colonial Landscape Project: A Critical Analysis
Supervisor: Alice Ming Wai Jim
Convocation: Fall 2008
Kimberlie Robert
Women’s Botanical Illustration in Canada: Its Gendered, Colonial and Garden Histories (1830-1930)
Supervisor: Brian Foss
Convocation: Fall 2008
Sara Serban
Exhibition Related to Ephemeral Art Practices: Philosophical and
Practical Issues Presented by Organic-Based Works of Art
Supervisor: Brian Foss
Convocation: Fall 2008
Jacinthe Soulliere
The Stone that Cracked the Wall between the Institution and the First Nation Artist
Supervisor: Sherry Farrell Racette
Convocation: Fall 2008
Erandy Vergara Vargas
In Site-Specific: Three Art Projects on the Tijuana-San Diego Border Zone
Supervisor: Alice Ming Wai Jim
Convocation: Fall 2008
Susannah Wesley
Finding the Sublime: Assessing Elizabeth Simcoe’s Fires as an Art Practice
Supervisor: Cynthia Hammond
Convocation: Fall 2008
Merrilee Wolsey
Perceiving Sound Waves: An Auditory Exploration of Image, Sculpture and Architecture
Supervisor: Johanne Sloan
Convocation: Fall 2008
Sonia Couturier
L’implication des amateurs d’art dans les réseaux artistiques et
intellectuals en France au XVIIIe siècle. Le cas de Claude-Henri Watelet
(1718-1786)
Supervisor: Olivier Asselin
Convocation: Fall 2008
Susan Hart
Sculpting a Canadian Hero: Shifting Concepts of National Identity in Ottawa’s Core Area Commemorations
Supervisor: Brian Foss
Convocation: Fall 2008
Christopher Lee Bays
Ray Mead: The Anthropomorphic Gesture
Supervisor: Brian Foss
Convocation: Spring 2007
Jean-Francois Bélisle
Canadian Voices at the Venice Biennale: The Production of a
Canadian Image through the Venice Biennale between 1988 and 2005
Supervisor: Martha Langford
Convocation: Spring 2007
Jennifer Dyck
A Poetic Exploration of the Box: Tony Urquhart’s Use of Space, Miniature, and Memory
Supervisor: Catherine MacKenzie
Convocation: Spring 2007
Pamela Edmonds
The Politics of Belonging: Positioning Black Identity in Contemporary African-Canadian Art
Supervisor: Joan Acland
Convocation: Spring 2007
Tammer El-Sheikh
Paper Cuts: Life, Death and "Drags" in Andy Warhol's America
Supervisor: Martha Langford
Convocation: Fall 2007
Karen Fleming
St. Francis-Xavier Mission: Kahnawake, Quebec
Supervisor: Jean Bélisle
Convocation: Spring 2007
Annie Khatchadourian
Raven's Reprise: A Significant Juncture in the Developing Exhibition
Practices of Canadian Museums with Regard to First Nations Art
Supervisor: Joan Acland
Convocation: Spring 2007
Sharon Murray
Missionizing Photography: Miss Amanda Jefferson's Photograph Album, 1892-1898
Supervisor: Martha Langford
Convocation: Fall 2007
Doug Pope
Multiple Velocities: A Study of Motion in the Work of Rita Letendre, Serge Lemoyne and Claude Tousignant
Supervisor: Loren Lerner
Convocation: Fall 2007
Emily Robertson
Pushing the Envelope: The Evolution of Mail Art in Canada
Supervisor: Brian Foss
Convocation: Spring 2007
Jordan Simms
Cheating the End: Native Artifacts Contaminated with Toxic Preservatives
Supervisor: Joan Acland
Convocation: Spring 2007
Deborah Anne Arsenault
Visual Imagery of the Saint Lawrence River – Landscape as an Historical Discourse
Supervisor: Sandra Paikowsky
Convocation: Spring 2006
Kathryn J. Banham
The Architecture and Painting Collection of the Mount Royal Club, Montreal 1899-1920
Supervisor: Sandra Paikowsky
Convocation: Spring 2006
Amanda Beattie
The Crossroads and Ecology: The New Landscapes of Robert Smithson, Edward Burtynsky and Susan Liebovitz Steinman
Supervisor: Johanne Sloan
Convocation Fall 2006
Kathryn Beattie
Aspects of Acceptance and Denial in Posthumous Painted Portraits and Postmortem Photographs of Nineteenth-Century Children
Supervisor: Kristina Huneault
Convocation: Spring 2006
Lori Beavis
An Educational Journey: Women’s Art Training in Canada and Abroad 1880-1929
Supervisor: Brian Foss
Convocation Fall 2006
Julie Boivin
The Aesthetics of Frivolity: Reinvesting in Balloons, Cake Icing, Bows, Ribbons and Trinkets
Supervisor: Kristina Huneault
Convocation: Spring 2006
David Capell
On Experience in the Art of Janet Cardiff and George Bures Miller
Supervisor: Kristina Huneault
Convocation: Fall 2006
Reid Cooper
Participatory Architecture in Montréal: Three Case Studies
Supervisor: Catherine MacKenzie
Convocation: Fall 2006
Judith Hayes
June Leaf, The Cape Breton Works, 1970-1990: “A Place/From Away” – “The Place/From Here”
Supervisor: Sandra Paikowsky
Convocation: Spring 2006
Luke Nicholson
Being Framed by Irony: AIDS and the Art of General Idea
Supervisor: Brian Foss
Convocation: Spring 2006
Laurent Piché-Vernet
En Temps et Lieu, le programme d’art public de la Vancouver Art Gallery et les dynamiques urbaines
Supervisor : Johanne Sloan
Convocation Fall 2006
Marsha Taichman
Objects, Materials, and Surfaces: The Photographs of Lynne Cohen
Supervisor: Martha Langford
Convocation Fall 2006
Nicolas Gaudreau
La couleur de la ruine et le salpetre de la Bastille Topographie de la patine architecturale au siecle des Lumieres
Supervisor: Olivier Asselin
Convocation: June 2006
Anita Grants
Selectivity, Interpretation and Application: The Influence of John Ruskin in Canada
Supervisor: Brian Foss
Convocation: Fall 2006
Dominic Hardy
A Metropolitan Line. Robert Lapalme (1908-1997), Caricature and Power in the Age of Duplessis (1936-1959)
Supervisor: Brian Foss
Convocation: Fall 2006
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Linda Benguigui
Films on Art and/or Art on Films: Jacques Giraldeau’s Cinematic Vision of the 1960s
Supervisor: Jean Bélisle
Convocation: Fall 2005
Alessandra Bisciglia
“A Shift of Modality:” Postminimal Montreal Sculpture in the 1970s.
Supervisor: Sandra Paikowsky
Convocation: Fall 2005
Cinzia Colella
A New Space in Canadian Art: Liminality in the Work of Three Glass Artists: Kevin Lockau, Susan Adgerley, and Brad Copping
Supervisor: Elaine Cheasley Paterson
Convocation: Fall 2005
Alice Dind
Frederick H. Varley’s Self-Portraits Unmasked by his
Autobiographical Writings: A Reflection of the Effects of War,
Religious/Spiritual Influences and Communion with Nature
Supervisor: Loren Lerner
Convocation: Fall 2005
Tanina Drvar
Vandalism and Public Art in Montreal: A Discussion of Works by Mark Lewis and Robert Prenovault
M.A. Art History
Supervisor: Johanne Sloan
Convocation: Fall 2005
Andrea Korda
Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century
Supervisor: Sandra Paikowsky
Convocation: Spring 2005
Avery Larose
The Fragmented City: The Urban Landscapes of Eleanor Bond, Brenda Pelkey and Janet Cardiff
Supervisor: Kristina Huneault
Convocation: Fall 2005
John Latour
Manifestations of the Absent Figure in Canadian Sculpture since the Seventies
Supervisor: Kristina Huneault
Convocation: Spring 2005
Melinda Reinhart
Lady Falkland’s Travel Album: negotiating Colonial and Feminine Discourses
Supervisor: Kristina Huneault
Convocation: Fall 2005
Mikaela Bobiy
Imitatio Christi: The Christic Body in Performance
Supervisor: Olivier Asselin
Convocation: September 2005
Heather Haskins
Now You See Them, Now You Don’t: The Critical Reception of
Women’s Work at the Arts & Crafts Exhibition Society, 1888-1916
Supervisor: Catherine MacKenzie
Convocation: April 2005
Stephanie Bolton
An Analysis of the Task Force on Museums and First Peoples: The Changing Representation of Aboriginal Histories in Museums
Supervisor: Joan Acland
Convocation: Fall 2004
Anja Bock
Exhibiting Trauma: Ydessa Hendeles at the Haus Der Kunst in Munich
Supervisor: Johanne Sloan
Convocation: Fall 2004
Lesley Brock
Boxing Time: Landscape, Feminism and the Archive in Selected Works by Angela Grauerholz
Supervisor:
Convocation: Spring 2004
Irmela Agnes Dmytruk
The Manichaean Body: Rebecca Belmore’s Art Making in the Context of Socially Responsive Activist Art
Supervisor: Joan Acland
Convocation: Fall 2004
Stephanie Gibson
Jeff Wall and The Painter of Modern Life: Modernity, Contemporary Photography, and the Challenge of Postmodernism
Supervisor: Johanne Sloan
Convocation: Fall 2004
Anna Maria Carlevaris
Cultivating Heroes: From Dante and Caboto to Mussolini, The Public Art of Montreal’s Italians in the 1920s – 1930s
Supervisor: Olivier Asselin
Convocation: September 2004
Randal Rogers
From the Painted Past to Digital Futures: (Re)Mediating the Canadian Nation at Expo 2000
Supervisor: Catherine MacKenzie
Convocation: September 2004
Lynn Beavis
Performance Art, Censorship, and Psychoanalysis: Theorizing the Outrageous Acts of Karen Finley
Supervisor: Olivier Asselin
Convocation: Spring 2003
Louis Chapados
Les pratiques professionnelles en métiers d’art comme champ de production culturelle: L’exemple de la ceramique
Supervisor : Jean Bélisle
Convocation: Fall 2003
Jennifer Ann Hunt-Beauchamp
The Community and the Cumberland Heritage Village Museum : The
Effects of the Community on the Genesis and the Life of a Small
Community Museum in Eastern Ontario
Supervisor: Jean Bélisle
Convocation: Fall 2003
Loretta Flegel
Parts in Play: the Rosalyne Osborne Stearn Collection at McGill University
M.A. Art History
Supervisor L. Lerner
Convocation Fall 2003
Quyen Hoang
First Nations People Mining the Muesum: A Case Study of Change at the Glenbow Museum
M.A. Art History
Supervisor J. Acland
Convocation Fall 2003
Martin Kapustianyk
Dialogues of Death-in-Life: The Photographic Works of
Sandra Semchuk and the Exhibition Coming to Death’s Door: A
Daughter/Father Collaboration
Supervisor: Loren Lerner
Convocation: Fall 2003
Jacquie Kolodiejchuk
The Voiceless Mouth: Orality in Postmodern Feminist Body Art
M.A. Art History
Supervisor O. Asselin
Convocation Spring 2003
Cassandra (Sandy) Leslie
"Black Oil on My Skin:" Black Male Nudes in the Photographs of Michael Chambers
M.A. Art History
Supervisor S. Paikowsky
Convocation Fall 2003
Robert Darcey Nichols
From Monuments to Cinema: the Question of the Counter-Monument in Two Works by Mark Lewis
M.A. Art History
Supervisor Olivier Asselin
Convocation Fall 2003
Suzanne B. Rackover
The Holocaust Art of Gershon Iskowitz, Isaac Applebaum, and Yebouda
Chaki: A Critical Approach in Relation to the Philosophical Writings of
Emmanuel Levinas, Hannah Arendt, and Julia Kristeva
M.A. Art History
Supervisor L. Lerner
Convocation Spring 2003
Iain Stewart
Putting the Pieces in Place: The Collecting Practices of Edward Perry Warren (1860-1928) and the Museum of Fine Arts, Boston
M.A. Art History
Supervisor S. Paikowsky
Convocation Spring 2003
Susan Surette
Landscape Imagery in Canadian Ceramic Vessels
M.A. Art History
Supervisor J. Helland
Convocation Spring 2003
Katja Kessin (MacLeod)
To Lend the Dead a Voice: Second-Generation German Visual Art
Ph.D. Humanities
Supervisor L. Lerner
Convocation: Fall 2003
Glenn Leonard Brook
Canada: A People's History - An analysis of the visual narrative for a colonial nation
M.A. Art History
Supervisor B. Foss
Convocation: Fall 2002
Darlene Cousins
Otto Dix's Portrait of the Lawyer Hugo Simons: German Art for a Canadian Museum
M.A. Art History
Supervisor S. Paikowsky
Convocation: Fall 2002
Arshi Dewan
Weaving as Art: An Examination of the Revival of Weaving in the
M.A. Special Individualized Program
Supervisor L. Lerner
Convocation: Fall 2002
Rosaline U. Edeh
Louise Lemieux Berube: Artist in Motion
M.A. Art History
Supervisor J. Bélisle
Convocation: Fall 2002
Stefan Jovanovic
Virtual Moments: Social and Spatial Histories Re-Imagined in a Video Installation by Stan Douglas
M.A. Special Individualized Program
Supervisor O. Asselin
Convocation: Fall 2002
John Leroux
The Murals of Fred Ross: A Quest for Relevance
M.A. Art History
Supervisor S. Paikowsky
Convocation Spring 2002
Alain Marcoux
The Life and Works of Dimitri Dimakopoulos Architect (1929-1995)
Supervisor: J. Bélisle
Convocation: Spring 2002
Jody Patterson
Painting on the Edge: Geometric Abstraction in Montreal, the 1950s
M.A. Art History
Supervisor N/A
Convocation: Spring 2002
Valeria Sabina Rak
Eglise Orthodoxe Roumaine de l'Annonciation: 8080, Rue Christophe-Colomb, Montreal (Quebec) Canada Etude Architecturale
M.A. Art History
Supervisor J. Bélisle
Convocation: Spring 2002
Janice Anderson
Creating Room: Canadian Women's Mural Painting and Rereadings of the Public and the Private
Ph.D. Special Individualized Program
Supervisor B. Foss
Convocation: Spring 2002
Cynthia Hammond
Wings, Gender and Architecture: Remembering Bath, England
Ph.D. Humanities
Supervisor J. Helland
Convocation: Spring 2002
Nicolas Champroux
Les Relations incestueuses entre la photographie et l'architecture
moderne ou la representation photographique de la Place Ville Marie
entre Septembre 1962 et Fevrier 1963
M.A. Art History
Supervisor L. Lerner
Convocation: Fall 2001
Marketa Jarosova
Thesis Title
First Nations, Museums and McCord Museum's Journey Across Borders
M.A. Art History
Supervisor J. Acland
Convocation: Fall 2001
Nathalie Senecal
The No.5 Terminal Grain Elevator in the Port of Montreal: Monument in a Shifting Landscape
M.A. Art History
Supervisor J. Bélisle
Convocation: Spring 2001
Patricia Tomasic
The (De)Construction of 'Indianness' at Writing-On-Stone Provincial Park
M.A. Art History
Supervisor J. Acland
Convocation: Spring 2001
Sandra Alfoldy
An Intricate Web(b): American Influences on Professional Craft in Canada 1964-1974
Ph.D. Special Individualized Program
Supervisor C. MacKenzie
Convocation: Spring 2001
Terry M.T. Provost
Profiles of the Black Venus: Tracing the Black Female Body in Western Art and Culture, From Baartman to Campbell.
Ph.D. Humanities
Supervisor J. Acland
Convocation: Fall 2001
Caroline Alexandra Stevens
Making Art Matter: Narrating the Collaborative Creative Process.
Ph.D. Special Individualized Program
Supervisor J. Acland
Convocation: Fall 2001
Shannon Anderson
Probing the Surface: The Family Archive Revisited in Installations by Wyn Geleynse, Mindy Yan Miller and Yvonne Singer
M.A. Art History
Supervisor L. Lerner
Convocation Spring 2000
Katherine Irene Bosnitch
A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972
M.A. Art History
Supervisor J. Bélisle
Convocation Spring 2000
Mikaela Victoria Bobiy
Painting the zone: Chernobyl and the "Art of Witness"
M.A. Art History
Supervisor L. Lerner
Convocation: Fall 2000
Karen De Lutis
Women and Trousers. Being a Work on Duel Garnitures and a Case Study
of the Bifurcated in Nineteenth-Century Clothing for Women in North
America
M.A. Art History
Supervisor J. Helland
Convocation: Fall 2000
Carolyn Cross
Body Marking Within New France: A Contemporary Perspective
M.A. Art History
Supervisor K. Huneault
Convocation: Fall 2000
Kevin Dandurand
Thesis Title
Bruce Price, and His Montreal Train Stations
M.A. Art History
Supervisor J. Bélisle
Convocation: Spring 2000
Emily Ann Falvey
In the AND: Experimentation and the Impossible in the Work of John Murchie, Mary Scott and Eric Cameron
M.A. Art History
Supervisor B. Foss
Convocation Spring 2000
Martine Noelle Fournier
Rails and Ties: A Comparison of Late Nineteenth-Century Images of Western Railways in Canada and the United States
M.A. Art History
Supervisor B. Foss
Convocation Spring 2000
Susan Elizabeth Hart
Thesis Title
Traditional War Memorials and Postmodern Memory
M.A. Art History
Supervisor B. Foss
Convocation: Fall 2000
Elizabeth Claire Kalbfleisch
Thesis Title
Making History, Picturing Hysteria: Archaeology, Ficto-Criticism, and
the Critical History of Nicole Jolicoeur's La Verite folle
M.A. Art History
Supervisor O. Asselin
Convocation: Fall 2000
Denis Longchamps
La memoire dl'histoire: la construction d'un stereotype. L'habitant Canadien-Francais dans les arts visuels au Quebec
M.A. Art History
Supervisor B. Foss
Convocation: Fall 2000
Leszek Missala
Fort La Présentation and Its Time
M.A. Art History
Supervisor J. Bélisle
Convocation: Spring 2000
Angela Kristine Plohman
Re-Thinking Contemporary Aesthetic Spaces: Diana Throneycroft and Unacceptable Sublime
M.A. Art History
Supervisor O. Asselin
Convocation: Fall 2000
Patricia Tomasic
The (De)construction of 'Indianness' at Writing-On-Stone Provincial Park
Supervisor: J. Acland
Convocation: Spring 2000
Stephen Werry
What Ever Happened to the Jesuit Church of Old Havana?
M.A. Art History
Supervisor J. Bélisle
Convocation: Spring 2000
Jonathan Wise
Photographic Memory: Inuit Representation in the work of Peter Pitseolak
M.A. Art History
Supervisor J. Acland
Convocation: Fall 2000
Ernestine Daubner
Allegories of Nature, Culture, Gender: Dialogues with Marcel Duchamp’s "Étant Donnés..."
Ph.D. Humanities
Supervisor C. Mackenzie
Convocation: Spring 2000
top
Allyson Sarah Adley
Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1913-1932
M.A. Art History
Supervisor J. Helland
Convocation Spring 1999
Lori-Ann Beaudoin
A Cultural Illness: Women, Identity, and Eating Problems in Faith Ringgold's Change Series
M.A. Art History
Supervisor L. Lerner
Convocation Fall 1999
Elaine Cheasley
Handcrafting A National Industry: The Production And Patronage Of Alexander Morton & Company’s Donegal Carpets
M.A. Art History
Supervisor J. Helland
Convocation Fall 1999
Alison Crossman
Framing the Quilt: Historical and Contemporary Quilts of New Brunswick and Nova Scotia
M.A. Art History
Supervisor J. Helland
Convocation Fall 1999
Lara T. Evoy
Cross-Cultural Relationships: The Work of Canadian Artist Mildred Valley Thornton
M.A. Art History
Supervisor J. Acland
Convocation Fall 1999
Christine Johanne Mathieu
The History of the Tiffany Windows at the Erskine and American Church, Montreal
M.A. Art History
Supervisor J. Bélisle
Convocation Spring 1999
Rhonda Louise Meier
Re-Membering the Colonial Present: Jimmie Durham’s Serious Dance
M.A. Art History
Supervisor J. Reid Acland
Convocation Fall 1999
Randal Arthur Rogers
Man and His World: An Indian, A Secretary And a Queer Child. Expo 67 and the Nation in Canada
M.A. Art History
Supervisor B. Foss
Convocation Fall 1999
Johanne Perusse
J.-O. Marchand, Premier Architecte Canadien Diplômé de l'École des
Beaux-Arts de Paris, et sa Contribution à l'Architecture de Montréal au
Début du Vingtième siècle
Convocation: Fall 1999
Carole R. Scheffer
Architectural Postcards and the Conception of Place:Mediating Cultural Experience
Ph.D. Humanities
Supervisor J. Acland
Convocation: Fall 1999
Marc Duhamel
The Problem of the Sacred in Postmodern Museum Practice: Some Thoughts
on the Rideau Street Convent Chapel in the National Gallery of Canada
M.A. Art History
Supervisor J. Acland
Convocation: Spring 1998
Andrej Kopac
The Dominion Express Building: A Cultural Investigation
M.A. Art History
Supervisor C. Mackenzie
Convocation: Spring 1998
Catherine Mattes
Whose Hero? Images of Louis Riel in Contemporary Art and Metis Nationhood
M.A. Art History
Supervisor J. Acland
Convocation: Fall 1998
Nancy Mullick
The Transfer of the Northern Affairs (NA) and Indian and Northern Affairs of Canada (INAC) Collection of Inuit Art: 1985-1992
M.A. Art History
Supervisor J. Acland
Convocation: Spring 1998
Terry M.T. Provost
The Shadow of a Nation: Remembering the Black Woman in the Nomadic Picture
M.A. Art History
Supervisor J. Acland
Convocation: Fall 1998
Lara Tomaszewska
Marionettes and Metaphor: Political Satire in the Photographs of Tina Modotti
M.A. Art History
Supervisor C. MacKenzie
Convocation: Fall 1998
Marco Topalian
Thesis Title
Metamorphosis, Entropy, and Seduction: Selected Moments from the Canadian Embassy in Tokyo by Moriyama and Teshima
M.A. Art History
Supervisor C. Mackenzie
Convocation: Fall 1998
Michelle Veitch
Social Discourse in the Media Interpretation of Christiane Pflug's Doll Paintings
M.A. Art History
Supervisor J. Helland
Convocation: Fall 1998
Susan Douglas
Contingencies:Visualizing Tensions Between Contemporary Critical Theory and Canadian Art Practice
Ph.D. Humanities
Supervisor C. Ross
Convocation: Spring 1998
Sandra Alfoldy
Theory and Craft: A Case Study of the Kootenay Christmas Faire
M.A. Art History
Supervisor C. Mackenzie
Convocation: Spring 1997
Ann Ruthellen Armstrong
Beyond Eden: Cultivating Spectacle in the Montreal Botanical Garden
M.A. Art History
Supervisor J. Acland
Convocation: Fall 1997
MauraLesley Broadhurst
Strategic Spaces: Towards a Genealogy of Women-Artist Groups in Canada
M.A. Art History
Supervisor J. Helland
Convocation: Fall 1997
Heather Robin Campbell
The Montreal McTavish Waterworks: An Accidental Sacred Site
M.A. Art History
Supervisor J. Acland
Convocation: Fall 1997
Andrew William Elvish
Death Becomes Her: The Death Aesthetic in/as Fashion Advertising
M.A. Art History
Supervisor C. Mackenzie
Convocation: Spring 1997
John Grande
Armand Vaillancourt's Social Sculpture
M.A. Art History
Supervisor J. Bélisle
Convocation: Fall 1997
Marc Leger
A Berlin Wall Fragment in the 'Centre de Commerce Mondial de
Montreal': Notes toward a Theory of the Public Artefact at the End of
History
M.A. Art History
Supervisor J. Helland
Convocation: Fall 1997
Louise Moreau
Making Art Modern - The First Decade of Vie des Arts Magazine and its
Contribution to the Discourse on the Visual Arts in Quebec During the
1950s and 1960s
M.A. Art History
Supervisor S. Paikowsky
Convocation: Spring 1997
Stacey Neale
The Rankin Inlet Ceramics Project; A Study in Development and Influence
M.A. Art History
Supervisor J. Acland
Convocation: Spring 1997
Eugenie Shinkle
The Body in the Landscape
M.A. Special Individualized Program
Supervisor B. Foss
Convocation: Fall 1997
Grazyna Szawlowski
Inherent Rights, Vision Rights: A Virtual Environment by Lawrence Paul Yukweluptun
M.A. Art History
Supervisor J. Acland
Convocation: Fall 1997
Heather A. Webb
Cartographies of Consciousness-Raising: Mapping out a Feminist Approach in the Work of Marlene Creates
M.A. Art History
Supervisor J. Helland
Convocation: Fall 1997
Abbie Weinberg
Identity Politics in Canadian Artwriting: C Magazine and Parachute 1983-1996
M.A. Art History
Supervisor B. Foss
Convocation: Fall 1997
Kyle Gordon Whatley
Frank Lloyd Wright's Work in Canada
M.A. Art History
Supervisor C. Mackenzie
Convocation: Spring 1997
Virginia Nixon
The Anna Selbdritt in Late Medieval Germany: Meaning and Function of a Religious Image
Ph.D. Special Individualized Program
Supervisor E. James
Convocation: Fall 1997
Kim L. Gauvin
CORRIDART Revisited - Excavating the Remains
M.A. Art History
Supervisor S. Paikowsky
Convocation: Spring 1996
Cynthia Hammond
The Strength and Fragility of the Egg: Spring Hurlbut's Interventions in the Classical Idiom
M.A. Art History
Supervisor J. Helland
Convocation: Fall 1996
Margaret E. Hodges
Sigrun Bulow-Hube: Scandinavian Modernism in Canada
M.A. Art History
Supervisor C. Mackenzie
Convocation: Fall 1996
Kamille Hudec
Landscape Representations of the Western District (1788-1853), Upper Canada and the Creation of Identity
M.A. Art History
Supervisor B. Foss
Convocation: Fall 1996
Alice Ming Wai Jim
Black Women Artists in Canada: A Documentation and Analysis of the 1989 Exhibition: Black Wimmin - When and Where We Enter
M.A. Art History
Supervisor J. Helland
Convocation: Spring 1996
Janelle T. Mellamphy
Self/Portraiture, Canada and Taras Polataiko's You Series
M.A. Art History
Supervisor C. Mackenzie
Convocation: Fall 1996
Johanna K. Mizgala
The Museum in the Work of Lance Belanger and Richard Purdy
M.A. Art History
Supervisor J. Acland
Convocation: Fall 1996
Michelle Roycroft
Needling the System: The Textile Art of Ann Newdigate, Barbara Todd and Colette Whiten
M.A. Art History
Supervisor J. Helland
Convocation: Fall 1996
R. Howard Smith
The Johnsons of New York: The Evolution of a Vernacular Style, Ireland, New York, Ontario and Quebec
M.A. Art History
Supervisor J. Bélisle
Convocation: Spring 1996
Caroline Alexandra Stevens
Working Bodies: Feminist Alternatives to Passive Representations of "Feminine" Corporeality
M.A. Art History
Supervisor J. Helland
Convocation: Fall 1996
Janis R. Zubalik
"Advancing the Material Interests of the Redeemer's Kingdom": The Erskine Presbyterian Church, Montreal, 1894
M.A. Art History
Supervisor J. Bélisle
Convocation: Fall 1996
Janice Anderson
Closed Systems: Alexandra Luke, Hortense Gordon and the Canadian Art History Canon
M.A. Art History
Supervisor B. Foss
Convocation: Fall 1995
Shirley May Baird
The Stained Glass War Memorial Windows of Charles William Kelsey
M.A. Art History
Supervisor B. Foss
Convocation: Fall 1995
Daniel John Currell
Modernism in Canada: Clement Greenberg and Canadian Art
M.A. Art History
Supervisor S. Paikowsky
Convocation: Fall 1995
Philip E. Dombowsky
Emmanuel Briffa Revisited
M.A. Art History
Supervisor J. Bélisle
Convocation: Spring 1995
Mary Anne Farah
The Significance of the Introduction of Electronic Interaction to the History of the Art Object and the Viewer
M.A. Art History
Supervisor C. Mackenzie
Convocation: Fall 1995
Kim Louise Gauvin
CORRIDART Revisited - Excavating the Remains
Convocation: Fall 1995
Anita Grants
Arthur Lismer in the Context of Sheffield
M.A. Art History
Supervisor S. Paikowsky
Convocation: Fall 1995
Heather Victoria Haskins
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
M.A. Art History
Supervisor J. Helland
Convocation: Fall 1995
Laura Lee Dale Heron
German Expressionism and the Child Art Movement in the Career of Wynon Mulcaster
M.A. Art History
Supervisor B. Foss
Convocation: Spring 1995
Sarah Elizabeth Ivory
The European Art and Canadiana Collections of Robert Wilson Reford (1867-1951)
M.A. Art History
Supervisor B. Foss
Convocation: Fall 1995
Yvonne Lammerich
The Camera Obscura, A Paradigm
M.A. Art History
Supervisor J. Bélisle
Convocation: Spring 1995
Robert Wesley George Lee
Mapping the Voice: Aids, Art and Activism in Canada
M.A. Art History
Supervisor B. Foss
Convocation: Fall 1995
Charmaine Andrea Nelson
"Coloured Nude": Fetishization, Disguise, Dichotomy
M.A. Art History
Supervisor J. Helland
Convocation: Spring 1995
Kathryn Marie O’Rourke
Labours and Love: Issues of Domesticity and Marginalization in the Works of Paraskeva Clark
M.A. Art History
Supervisor J. Helland
Convocation: Spring 1995
Carol Jane Harrison Reesor
The Chronicles of the National Gallery of Canada at the Venice Biennale\
M.A. Art History
Supervisor S. Paikowsky
Convocation: Fall 1995
Jocelyne Aubin
La Chambre Nuptiale
M.A. Art History
Supervisor C.Ross
Convocation: Fall 1994
Susan Avon
The Beaver Hall Group and its Place in the Montreal Art Milieu and the Nationalist Network
M.A. Art History
Supervisor B. Foss
Convocation: Fall 1994
Curtis Joseph Collins
Janvier and Morrisseau: Transcending a Canadian Discourse
M.A. Art History
Supervisor B. Foss
Convocation: Spring 1994
Kristina Huneault
Heroes of a Different Sort: Representations of Women at Work in Canadian Art of the First World War
M.A. Art History
Supervisor J. Helland
Convocation: Spring 1994
Percy Johnson
The Edmonton Public Library: An Architectural History of a Carnegie Library Building
M.A. Art History
Supervisor J. Bélisle
Convocation: Fall 1994
Joanne Latimer
The Kafkaesque in Susan Scott's Series Description of a Struggle: Identity, the Other, and an Amenable Interaction
M.A. Art History
Supervisor C. Ross
Convocation: Fall 1994
Elizabeth Vivian Sifton
Retailing Fashion in Montreal: A Study of Stores, Merchants and Assortments
M.A. Art History
Supervisor B. Foss
Convocation: Spring 1994
David Calvin Strong
Sidney Carter (1880-1956) and the Politics of Pictorialism
M.A. Art History
Supervisor B. Foss
Convocation: Fall 1994
James Anthony Viloria
Place Bonaventure: Process, Form, and Interpretation
M.A. Art History
Supervisor E. Jacobs
Convocation: Spring 1994
Sandra Coley
The Church of St. Andrew and St. Paul, Montreal: An Architectural History 1805-1932, and Catalogue of Memorials
Supervisor: E. James
Convocation: Fall 1993
Evlyn Payton-Tayler
The Changing Face of Fashion in Montreal, 1885-1905: New Markets, Improved Taste and the Move to Mass Production
Supervisor: F. Shlosser
Convocation: Fall 1993
Hazel Power
Robert Findlay and the Macaulay Family Architecture
Supervisor: E. James
Convocation: Fall 1993
David Rose
The Hotel Architecture of Ross & MacFarlane/Ross & Macdonald
Supervisor: E. James
Convocation: Fall 1993
Apollonia Schofield
The Soul Pictures of Margaret Mary Nealis R.S.C.J. 1876 to 1957
Supervisor: F. M. Gagnon
Convocation: Fall 1993
Karen Antaki
Henrietta Mabel May: The Montreal Years, 1877-1969
Convocation: Fall 1992
Sylvia Antoniou
The Sculpture of Anne Kahane
Supervisor: L. Lacroix
Convocation: Fall 1992
Anna Maria Carlevaris
Photography, Immigration, and Canadianism: 1896-1921
Alison Colborne
Jock Macdonald: A Search for the Universal Truth in Nature
Supervisor: B. Foss
Convocation: Fall 1992
Gilbert Gignac
A Methodology for the Study of Sketchbooks and a Case Study of Two Nineteenth-Century Examples
Supervisor: L. Lacroix
Convocation: Fall 1992
Diane Leblanc
L'Iconographie de Saint Antoine de Padoue dans la peinture religieuse au Québec de 1670 à 1890
Supervisor: J. Bélisle
Convocation: Fall 1992
Joyce Millar
The Sculptors' Society of Canada: The First Fifty Years (1928-1978)
Supervisor: B. Foss
Convocation: Fall 1992
Stephen Robinson
An Architect Discovered: The Work of A.F. Dunlop
Supervisor: E. James
Convocation: Fall 1992
Katherine Borcoman
William Notman's Portraits of Children
Supervisor: S. Paikowsky
Convocation: Fall 1991
Tim Clark
Case Study: Michel Foucault, Critical Modernism and Writing in the Visual Arts in Canada
Supervisor: J. Lamoureux
Convocation: Fall 1991
Nadine Corbeil
Les Chantiers navals à Montréal au XIXième siècle
Supervisor: J. Bélisle
Convocation: Fall 1991
Lisa Henderson
Emblems of Identity: An Introduction to the Painting of Indian Portraits in Canada
Supervisor: J. Bélisle
Convocation: Fall 1991
Donna McGee
St. Patrick's Catholic Church, Montréal: An Architectural Analysis and History of Its Early Years
Supervisor: E. James
Convocation: Fall 1991
Elizabeth Mulley
Lucius R. O'Brien: A Victorian in North America. American Influence on His Early Work, 1873-1880
Supervisor: J. Bélisle
Convocation: Fall 1991
Anne Mandely Page
Canada's First Professional Women Painters, 1890-1914
Supervisor: C. MacKenzie
Convocation: Fall 1991
Monique Poirier
The Fortifications of Montreal 1717-1744: Development and Implementation of the Plan
Convocation: Fall 1991
Irene Puchalski
An Analysis of Four Building Types by John S. Archibald, Architect (1872-1934)
Supervisor: E. James
Convocation: Fall 1991
R. Bella Rabinovitch
Landon Mackenzie: The Animals in the Landscape
Supervisor: J. Bélisle
Convocation: Fall 1991
Lois Valliant
Robert
Hugh Ayre (1900-1980): Art - A Place in the Community. Reviews at 'The
Gazette', Montreal (1935-1937) and at 'The Standard', Montreal
(1938-1942)
Supervisor: S. Paikowsky
Convocation: Fall 1991
Alexandra Shtychno
Luigi Giovanni Vitale Capello, a.k.a. Cappello (1843-1904), Itinerant Piedmontese Artist of Late Nineteenth-Century Quebec
Supervisor: J. Bélisle
Convocation: Fall 1991
Jean-Pierre Duchesne
L'Ornementation architecturale Art Déco à Montréal
Supervisor: J. Bélisle
Convocation: Fall 1990
Laurel Putt
Decorative Art in Canadian Public Art Museums
Supervisor: S. Paikowsky
Convocation: Fall 1990
Virginia Nixon
Antoine-Sébastien Falardeau (1822-1899) and the Old Master Copy in the Nineteenth Century
Convocation: Fall 1990
Wendela Stier
Chief
Justice Sir James Monk, Monkville in Montreal, and Some Related
Neo-Palladian Revival Architecture in Early Lower Canada and Nova Scotia
Supervisor: J. Bélisle
Convocation: Fall 1990
Cynthia Wall Tanchyk
The Quilt as Art: A Study of the Revival of Quiltmaking in Manitoba
Supervisor: B. Foss
Convocation: Fall 1990
Joan Acland
Architecture and Ideology: The National Gallery of Canada
Supervisor: E. James
Convocation: Fall 1989
Cécile Belley
François-Edouard Meloche (1855-1914), muraliste et professeur, et le décor de l'Eglise Notre-Dame-de-la-Visitation de Champlain
Supervisor: J. Bélisle
Convocation: Fall 1989
Susan Gustavison
Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print RevivalSupervisor: L. Lacroix
Convocation: Fall 1989
Hong-He Kim-Cheon
Nam June Paik's Video Art: Participation-TV as an Extension of Happening: a Postmodern Practice
Supervisor: C. Ross
Convocation: Fall 1989
Monique Nadeau-Saumier
Louis Muhlstock: The Urban Landscape 1930-1950
Supervisor: S. Paikowsky
Convocation: Fall 1989
Jennifer E. Salahub
As They are Fashioned So They Grow: Samplery and Quebec Samplers
Supervisor: L. Lacroix
Convocation: Fall 1989
Nancy Volesky
The Exterior Use of Decorative Ironwork in Ottawa Architecture During the Latter Half of the Nineteenth Century
Supervisor: J. Bélisle
Convocation: Fall 1988
Graham Cantieni
The Metro Montreal: Integration of Art and Architecture
Supervisor: W. Sanderson
Convocation: Fall 1987
Harriet Kolomeir
The Neighbourhood Movie House in Montreal 1925-1939: The Harmonious Whole
Supervisor: E. James
Convocation: Fall 1987
Jana Bara
Furs in Fashion as Illustrated in the Photo-Portraiture of William Notman in the 1860s
Supervisor: F. Shlosser
Convocation: Fall 1986
Giles Hawkins
The Montreal Exhibition Building and Museum, 1860: A Monument to Pre-Confederation Canadian Economic Nationalism
Supervisor: J. Bélisle
Convocation: Fall 1986
Brian Foss
Spirituality and Social Consciousness in the Art and Thought of Miller Gore Brittain, c.1930-1945
Supervisor: D. Andrews
Convocation: Fall 1985
Elizabeth H. Kennell
Frederick Simpson Coburn's Illustrations for the Poetry of Dr. W.H. Drummond
Supervisor: L. Lacroix
Convocation: Fall 1985
Julie B. Korman
Corporate Art Collecting in Canada
Supervisor: S. Paikowsky
Convocation: Fall 1985
Cécile Langlois-Szaskiewicz
Philippe Liébert et le tabernacle du maître-autel de l'Hôpital-Général des Soeurs GrisesSupervisor: J. Bélisle
Convocation: Fall 1985
Susan Lowery
The Art Gallery of Toronto/Pattern and Process of Growth: 1872-1966
Supervisor: S. Paikowsky
Convocation: Fall 1985
Norma Morgan
F. Cleveland Morgan and the Decorative Arts Collection at the Montreal Museum of Fine Arts
Supervisor: L. Lacroix
Convocation: Fall 1985
Diana Nemiroff
A History of Artist-Run Spaces in Canada, With Particular Reference to Vehicule, A Space and the Western Front
Supervisor: R. Greenberg
Convocation: Fall 1985
Nelda Swinton
The Inuit Sea Goddess
Supervisor: L. Lacroix
Convocation: Fall 1985
Renée Losier
Cast Iron Façades in Montreal: Technological and Stylistic Aspects
Convocation: 1984
Christine Ross
Perspectives holistiques dans la vidéo-fiction féministe au Québec (1978-82)
Convocation: 1984
Gloria Lesser
Iconography in the Portraiture of Joseph Brant (1742-1807)
Supervisor: L. Lacroix
Convocation: Fall 1983
Rosalind M. Peppall
The Murals by George A. Reid in the Toronto Municipal Buildings, (1897-1899)
Convocation: 1983
Donald A. Pringle
Artists of the Canadian Pacific Railroad 1881-1900
Convocation: 1983
Lucille Rouleau-Ross
Les
versions connues du portrait du Monsigneur Joseph-Octave Plessis
(1763-1825) et les conjectures des attributions pictorales au début du
XIXe siècle
Convocation: 1983
Janice E. Seline
Frederick Law Olmsted's Mount Royal Park, Montreal: Design and Context
Convocation: 1983
Stephanie A. Thomas
Frederick William Hutchison (1871-1953)
Convocation: 1982
J. Craig Stirling
The St-Hilaire Church Interior Decorations (1895-1900) of Ozias Leduc
Convocation: 1982
Kathryn L. Kollar
John Arthur Fraser (1838-1898)
Convocation: 1981
Roslyn M. Rosenfeld
Miniatures and Silhouettes in Montreal, 1760-1860
Convocation: 1981
Elizabeth Wylie
The Development of Spirituality in the Work of Lionel LeMoine FitzGerald 1890-1956
Convocation: 1981
Janet Braide
William Brymner (1855-1925): The Artist in Retrospect
Convocation: 1979
Alexandra E. Carter
William H. Eagar: "Sensibilities of No Common Order"
Convocation: 1979
Susan W. Wagg
The McGill Architecture of Percy Erskine Nobbs
Convocation: 1979
Sharon Goelman
William Raphael, R.C.A., 1833-1914
Convocation: 1978
Aline Gubbay
Three Montreal Monuments: An Expression of Nationalism
Convocation: 1978
Patricia Todd
James D. Duncan (1806-1881): Catalogue of Works and Introduction to his Art
Convocation: 1978
Gordon Day
The Life and Times of Aaron Allan Edson
Convocation: 1977
Ann Thomas
The Role of Photography in Canadian Painting 1860-1900:
Relationships between the Photographic Image and a Style of Realism in
Painting
Convocation: 1976
Page Title: Theses and dissertations - Concordia University - Montreal, Quebec, Canada
Page URL:http://art-history.concordia.ca/graduate-programs/theses-and-dissertations/...index.php
Date Printed: Sun May 19, 2013
