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Nikolai Kupriakov
- born in 1963 in Irkutsk, Russia
- immigrated to Montréal, Québec in 1991
- M.A. in progress, Conservation of Architecture,
Université de Montréal, Montréal, Québec (1998- ); B.F.A. Vilnius Art Academy,
Vilnius, Lithuania (1986-90); Bachelor of Architecture, Polytechnic Institute, Irkutsk,
Russia (1980-85)
click on thumbnails at left to view larger images
Born in Siberia, Nikolai Kupriakov spent his childhood in
Ukraine and later settled in Lithuania before coming to Montréal from Lithuania in 1991.
In addition to being a painter, Kupriakov is a conservator and architect. Often exploring
controversial and sexually explicit themes in surrealistic paintings likened to Hiernymous
Bosch, Kupriakov's paintings challenge and extend what the artist deems to be the
confining limits of artistic expression. Towards Justice (Vers la liberté)
(1995) was inspired by Richard Barnabé, a Montréal taxi driver who was brutally beaten
by police. The police officer in Kupriakov's painting appears as a dog, reflecting the
artist's disillusionment with the police who were able to violently assault a man with
impunity. The failure of the judicial system to bring about justice and their reluctance
to send a message that the police are not above the law prompted Kupriakov to paint Towards
Justice as a way of objecting. In keeping with his conviction that the artist has a
social obligation to their communities in Towards Justice, Kupriakov endeavours to
give the victim a voice about the corruption and inequity that frequently prevails
our society. Towards Justice was removed from an exhibition in Complexe
Desjardins in Montréal in 1996, along with another work called The Children of
Paradise (Les enfants du paradis) (1994) sparking a controversy over the
issue of censorship. The Children of Paradise depicts a harlequin in a church,
tiny nude figures on a table in front of him staging an orgy. "The painting shows the
contradictions in society that spark the artists's need to give creative expression to his
sorrow" (Jonathan Gatehouse, 1996). Commenting on the removal of his works the artist
said: "It's very funny. My first exhibition was in the Soviet Union when I was a
student and the same thing happened. I didn't think it was possible in Canada"
(1996).
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SOLO EXHIBITIONS
1998 |
Spectrum, Montréal, Québec Université de Montréal, Montréal, Québec
Raphael Essebag Gallery, Montréal, Québec
Saloon Café, Montréal, Québec
World Beat, Montréal, Québec
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1996 |
Café Campus, Montréal,
Québec Québec Art Council Exhibit
Montréal, Québec
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1987 |
The House of Culture, Vilnius,
Lithuania |
1984 |
Polytechnical Institute,
Irkutsk, Russia |
GROUP EXHIBITIONS
1998-97 |
Pluralité
Marius Barbeau Museum, Saint-Joseph de Beauce, Québec (travelling) |
1997 |
Art en fête
Montréal, QuébecInternational Gala of
Visual Arts
Marché Bonsecours, Montréal, Québec
Centre culturel Jacques Ferron, Longueuil, Québec
Chamber of Commerce, Saint-Laurent, Québec
Galerie Isle, Montréal, Québec
Kolin Museum, Czech Republic
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1996 |
International Art Festival
Montréal, QuébecInternational Gala of
Visual Arts
Montréal, Québec
Galerie Entre Cadre, Montréal, Québec
Qui sont-elles? Qui sont-ils? II
Complèxe Desjardins, Montréal, Québec
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1995 |
Grands Illusions
Galerie Observatoire 4, Montréal, QuébecQui
sont-elles? Qui sont-ils?
Complèxe Desjardins, Montréal, Québec
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BIBLIOGRAPHY
Gatehouse, Jonathan. "For art's sake.
Painter protests as mall removes two works." Montréal Gazette, 11
July 1996, p. A-3.
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