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Nikolai Kupriakov

 

  • born in 1963 in Irkutsk, Russia
  • immigrated to Montréal, Québec in 1991
  • M.A. in progress, Conservation of Architecture, Université de Montréal, Montréal, Québec (1998- ); B.F.A. Vilnius Art Academy, Vilnius, Lithuania (1986-90); Bachelor of Architecture, Polytechnic Institute, Irkutsk, Russia (1980-85)

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Born in Siberia, Nikolai Kupriakov spent his childhood in Ukraine and later settled in Lithuania before coming to Montréal from Lithuania in 1991. In addition to being a painter, Kupriakov is a conservator and architect. Often exploring controversial and sexually explicit themes in surrealistic paintings likened to Hiernymous Bosch, Kupriakov's paintings challenge and extend what the artist deems to be the confining limits of artistic expression. Towards Justice (Vers la liberté) (1995) was inspired by Richard Barnabé, a Montréal taxi driver who was brutally beaten by police. The police officer in Kupriakov's painting appears as a dog, reflecting the artist's disillusionment with the police who were able to violently assault a man with impunity. The failure of the judicial system to bring about justice and their reluctance to send a message that the police are not above the law prompted Kupriakov to paint Towards Justice as a way of objecting. In keeping with his conviction that the artist has a social obligation to their communities in Towards Justice, Kupriakov endeavours to give the victim a voice about the corruption and inequity that frequently prevails our society. Towards Justice was removed from an exhibition in Complexe Desjardins in Montréal in 1996, along with another work called The Children of Paradise (Les enfants du paradis) (1994) sparking a controversy over the issue of censorship. The Children of Paradise depicts a harlequin in a church, tiny nude figures on a table in front of him staging an orgy. "The painting shows the contradictions in society that spark the artists's need to give creative expression to his sorrow" (Jonathan Gatehouse, 1996). Commenting on the removal of his works the artist said: "It's very funny. My first exhibition was in the Soviet Union when I was a student and the same thing happened. I didn't think it was possible in Canada" (1996).

 

SOLO EXHIBITIONS

1998 Spectrum, Montréal, Québec

Université de Montréal, Montréal, Québec

Raphael Essebag Gallery, Montréal, Québec

Saloon Café, Montréal, Québec

World Beat, Montréal, Québec

 

1996 Café Campus, Montréal, Québec

Québec Art Council Exhibit
Montréal, Québec

 

1987 The House of Culture, Vilnius, Lithuania

 

1984 Polytechnical Institute, Irkutsk, Russia

 

GROUP EXHIBITIONS

1998-97 Pluralité
Marius Barbeau Museum, Saint-Joseph de Beauce, Québec (travelling)

 

1997 Art en fête
Montréal, Québec

International Gala of Visual Arts
Marché Bonsecours, Montréal, Québec

Centre culturel Jacques Ferron, Longueuil, Québec

Chamber of Commerce, Saint-Laurent, Québec

Galerie Isle,  Montréal, Québec

Kolin Museum, Czech Republic

 

1996 International Art Festival
Montréal, Québec

International Gala of Visual Arts
Montréal, Québec

Galerie Entre Cadre, Montréal, Québec

Qui sont-elles? Qui sont-ils? II
Complèxe Desjardins, Montréal, Québec

 

1995 Grands Illusions
Galerie Observatoire 4, Montréal, Québec

Qui sont-elles? Qui sont-ils?
Complèxe Desjardins, Montréal, Québec

 


BIBLIOGRAPHY

Gatehouse, Jonathan. "For art's sake. Painter protests as mall removes two works." Montréal Gazette, 11 July 1996, p. A-3.


 

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